WORK

Pigmented porcelain is used for these pieces:
I build with it, I observe how the substance
I have prepared gradually loses its shine,
showing the lack of moisture, and becomes
a fragile skeleton that has to be fired at a very
high temperature for several hours to make the
fragile rigid so that we can hold it in our hands
without feeling that it is turning into dust.

In a slow process; time and matter give signals
of progress, it is there with my raised hand I
let drops of porcelain falls and start to form a
structure. Practice and repetition make me leave
the porcelain in the right place to create this
continuous fabric, sometimes messy,
with contrasts that try to look like a moving
canvas.


in this disorder appears this obsession of constantly redoing the same action, like a breath, a pulse. each sphere has a weight, a limit, a brightness, an expression ... it balances or is supported by the other and thus form a total in which each has its perfect place
            
            (•••)




BIO


I was born in Santiago de Chile in 1981.
My interest in making things with my hands has been present since my childhood.

I'm a graphic designer.

2012.  studied jewelry in Barcelona.

2014 Workshop in Buenos Aires on porcelain applied to jewellery.











EXHIBITIONS

2021.  Koru7 International Triennial of Contemporary Jewellery /South Karelia Museum - Finland.


2023.  Latvian Ceramics Biennial, MARTINSONS AWARD 4th / Mark Rothko Art Centre - Latvia.


2025.  Biennal de cerámica d’Esplugues Angelina 
Alós / Esplugues de Llobregat, Barcelona - España






Emptiness is the starting point.
It is from the background 
that we can distinguish the form. 
Porcelain and the empty space 
discuss form and background, 
dependent on each other; 
the background is the form - the form 
is the background.

(•••)